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Brand & Creative · 2014

Native advertising and sponsored content: formats and results

Native ads now run from in-feed social units to publisher brand studios. Here is a guide to the formats, pricing, FTC disclosure rules and how to judge results.

7 min readPublished September 24, 20148 sections
20142014

Overview

The short answer

Native advertising is paid content designed to look and behave like the editorial or social content around it, and in 2014 it ranges from a $20 promoted post to a six-figure series produced by a newspaper's brand studio. It works when the content is genuinely worth a reader's time and the sponsorship is clearly labeled, and it fails, sometimes publicly, when either condition is missing. This guide covers the formats, what they cost, the disclosure rules and how to measure a program honestly.

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Why it has grown so fast

Brand & Creative · 2014

Display banner click-through rates have settled around one tenth of one percent, a growing share of browsing happens on phones where banners barely fit, and the feed, whether on Facebook, Twitter, LinkedIn or a news app, has become the dominant way people consume content. Native units live inside the feed and get read at rates banners have not seen for a decade.

Publishers, meanwhile, need revenue that is not falling. BuzzFeed built its business entirely on sponsored posts. Forbes has run BrandVoice since 2010. The New York Times launched T Brand Studio in January and has already produced a widely praised piece on women in prison for a streaming series. The Wall Street Journal, The Atlantic, The Guardian and Mashable all have studios. Spending on native formats in the US is estimated in the low billions of dollars this year and growing faster than any other category.

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The formats, from cheap to expensive

Brand & Creative · 2014

The IAB's Native Advertising Playbook, published last December, is the standard taxonomy. For planning purposes, think of five tiers.

In-feed social promotion. Promoted tweets, sponsored Facebook posts, LinkedIn Sponsored Updates and, since this summer, Instagram ads for larger brands. You supply the content, the platform distributes it to a targeted audience, and you pay per engagement or per thousand impressions. This is where most small businesses should start; budgets of $500 to $3,000 a month are enough to learn.

Recommendation widgets. Outbrain, Taboola and similar networks place your article under "Around the Web" or "Recommended for you" on publisher sites. You pay per click, typically $0.20 to $0.60, and traffic quality varies widely. Good for driving readers to strong content you already have; poor for anything that looks like a sales page.

Promoted listings. Sponsored products on Amazon, Etsy and Yelp. Native in the sense that they look like organic results. Relevant if you sell on those platforms and worth treating as performance media.

Sponsored articles on individual publishers. Trade publications, regional news sites and vertical blogs sell sponsored posts for $2,000 to $15,000 depending on audience. You often write the content; the publisher labels and distributes it. Quality and labeling practices range from excellent to embarrassing, so read their existing sponsored content before buying.

Brand studio programs. The publisher's in-house team conceives, produces and promotes content for your brand, frequently with video, data visualization and interactive elements. Minimums at national publications start around $50,000 and large programs exceed $500,000. This is campaign-level work, best suited to brands with a story worth that investment.

FormatTypical costBest for
Social in-feed$5-15 CPM, $0.50-2 per clickTesting content, retargeting
Recommendation widgets$0.20-0.60 per clickScaling readership of strong articles
Publisher sponsored post$2,000-15,000 per pieceCredibility with a niche audience
Brand studio program$50,000 and upBrand campaigns with depth
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Disclosure: the rule that protects the whole thing

Brand & Creative · 2014

The Federal Trade Commission held a workshop in December titled Blurred Lines on native advertising, and its position is simple: consumers must be able to tell when content is paid for, and the advertiser is responsible even when the publisher designed the unit. Guidance beyond the workshop has not yet been issued, but the direction is clear and the existing endorsement guides already apply.

The Atlantic's sponsored article for a religious organization last year, pulled within hours after readers objected to both the content and the labeling, is the cautionary tale everyone cites. A late-night comedy segment this summer mocked the industry's own survey that found many readers could not identify sponsored content. The reputational risk is real and it lands on the brand, not the publisher.

Practical rules that keep you safe:

  • Use plain words: Sponsored, Paid Post, Advertisement, or Presented by [Brand]. Avoid labels that need interpretation.
  • Place the label where the reader sees it before engaging, near the headline, in a readable size and contrast.
  • Name the advertiser, not just the agency or a campaign brand.
  • Keep the disclosure on every page and in every share. When an article is shared on Twitter, the label should travel with it.
  • Do not disguise paid search results, widget recommendations or promoted tweets by stripping the platform's own markers.
  • Follow the endorsement guides for any paid blogger, YouTube creator or Instagram account: they must disclose the relationship in each post.

Clear labeling also protects performance. Readers who feel tricked do not become customers, and publishers whose audiences lose trust lose the audience you were paying for.

Questions this guide answers

The decisions behind the topic.

Every piece we publish starts with the questions a business owner actually asks. The full answers are at the end of the page.

QuestionWhat counts as native advertising?
QuestionWhat are the disclosure rules?
QuestionHow much does sponsored content cost?
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What makes sponsored content work

Brand & Creative · 2014

The content has to earn the placement. Everything else is distribution.

Be useful or be entertaining, and pick one. A guide, a data story, a well-told customer story, a piece of genuine reporting about your industry. The product can appear; the sale cannot be the point.

Match the publication's voice without imitating its journalists. The best studio work reads like the publication's quality standard, not like a disguised press release.

Plan the next step. Every piece should lead somewhere: a deeper guide on your site, a tool, an email sign-up, a product page for the few who are ready. Tag every link so the journey is visible in analytics.

Budget for distribution. A $10,000 article that nobody reads is a $10,000 mistake. Reserve 30 to 50 percent of the budget for social promotion and widgets that bring readers to it.

Produce once, use many times. A sponsored piece can become a blog post, a sales enablement document, an email and a set of social posts. Negotiate reuse rights up front.

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Measuring it honestly

Brand & Creative · 2014

Native advertising is sold on engagement metrics and bought, too often, without agreeing what success means. Set the measures before the contract.

  1. Reach and attention: impressions, article views, average time on page, scroll depth and video completion. Compare with the publisher's editorial averages, which you should ask for.
  2. Engagement: shares, comments and, for social units, cost per engagement. Watch for publishers counting a tiny widget impression as a view.
  3. Response: click-throughs to your site, email sign-ups, downloads, and what those visitors do next, measured in Google Analytics with campaign tagging.
  4. Brand effect: for larger programs, a before-and-after survey of awareness or consideration among the audience, which the publisher or a research vendor can field.
  5. Sales: attributed where possible through conversion tracking and promo codes, with an honest acknowledgment that most native work is upper-funnel.

Typical results in 2014: sponsored articles on reputable publishers hold readers two to four minutes, in-feed social units draw click-through rates of 0.5 to 2 percent against banner rates near 0.1 percent, and widget traffic bounces at 70 to 90 percent unless the landing article is strong.

Sigma Extreme

Platforms this usually involves

We work with the stack that fits the journey rather than forcing a fixed toolset.

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Mistakes to avoid

Brand & Creative · 2014

Buying the label without the content. A publisher's logo on a weak article helps nobody.

Hiding the sponsorship. It is a regulatory and reputational risk, and readers notice.

No landing plan. Readers finish the piece and have nowhere to go.

Judging it like direct response. If the goal was awareness, measure awareness. If you need leads this quarter, buy search.

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How Sigma Extreme approaches this

Brand & Creative · 2014

Discover: we study your audience, the publications and feeds they actually read, your existing content and what it says about you. Plan: we choose formats and publishers, write the brief, set the disclosure standards and define measures for each tier of the program. Build: our creative campaigns team develops the story and works with publisher studios or produces the pieces directly with our video and content production team, the growth team runs the social distribution and widgets with conversion tracking in place, and the web team builds the landing experiences the content points to. Improve: we review attention, response and cost per outcome every two weeks and shift budget toward the placements that work. Because brand, growth, web and technology sit together, the article, its promotion and the page it leads to are one piece of work rather than three.

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How we've done it before

Brand & Creative · 2014

The Content Program engagement is the representative pattern. A business with a strong point of view but limited reach built a program of long-form sponsored pieces on two trade publications, supported by promoted social posts and recommendation widgets, with every piece labeled clearly and every link tagged. The articles were repurposed into guides on the company's own site, which built an email audience the business owned. Over two quarters the measured cost of a new subscriber fell steadily and the content began to earn organic search traffic on its own.

Sigma Extreme

Related case studies

Representative delivery patterns showing how this connects with the rest of the system.

Next step

If you are considering sponsored content and want to know which tier makes sense for your budget and your story, request a proposal and tell us your audience, your monthly marketing budget and the publications you would most like to appear in.

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FAQ

Frequently asked

What counts as native advertising?

Paid content that matches the form and function of the place it appears. The IAB's playbook lists six formats: in-feed units such as promoted tweets and sponsored Facebook posts, paid search listings, recommendation widgets, promoted listings on marketplaces, standard ad units with native elements, and custom sponsored content produced with a publisher.

What are the disclosure rules?

The FTC requires that paid content be clearly identifiable as advertising to a reasonable consumer, and it held a workshop last December on exactly this issue. In practice: a visible label such as Sponsored, Paid Post or Advertisement near the headline, the advertiser's name, and no design tricks that hide the label. Labels like Partner Content on their own are increasingly judged insufficient.

How much does sponsored content cost?

In-feed social promotion starts at a few dollars a day. Recommendation widgets cost $0.20 to $0.60 per click. Sponsored articles on mid-sized publishers run $2,000 to $15,000 each, and brand studio programs at national publications start around $50,000 and go well into six figures. Production is usually extra unless the publisher's studio writes it.

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